Gazing upon the scenes behind her 35mm camera Carly Foulkes, captured the tableaus of nature and friendship featured in The Natural Way campaign photography. In another part of her career, she would have been on the other side of the camera, but through curiosity and exploration, she honed her own craft so she could capture the moments that both inspire and move her. After the trip, we caught up with Foulkes to talk about her experience in La Paz, and what led her path to become a photographer.
That’s a great question—I’d love to say it’s my diet that’s natural, but honestly, that’s only true about half the time! What really keeps me centered is my connection to nature. I’m currently living in Topanga, and being surrounded by trees, wildlife, and wide open sky plays a huge role in my day-to-day peace of mind. Nature has always been important to me, but living somewhere like Topanga has deepened that appreciation.
There’s a stillness and a rhythm out here that reminds me to slow down, breathe, and be present. Whether it’s hearing the wind move through the leaves, spotting a deer on a morning walk, or watching the light shift across the canyon—it all reminds me that there’s something bigger and more grounding than the chaos of daily life.
I don’t force anything—I listen. I tune in to that quiet voice inside that guides me, gently showing me where I need to go creatively. Inspiration, for me, doesn’t come from chasing it; it comes from being open, from paying attention to what moves me and trusting that instinct.
I also make it a point to constantly immerse myself in art and beauty. Whether I’m visiting galleries, watching films, seeing live performances, or simply taking a hike through nature, these experiences feed my creative spirit. They remind me of the endless ways to feel, to express, to connect. It’s all part of staying inspired—keeping the senses awake and the heart curious.



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Though I didn’t realize it at the time, those early experiments laid the foundation for what would eventually become my career. After spending about 15 years in front of the camera as a model, I made a natural transition to working behind it. I officially began shooting professionally when I was 24 and living in New York City, a place that was as much a muse as it was a backdrop for my growing portfolio.
In many ways, my years as a model doubled as a hands-on education in photography. Every shoot was a masterclass. I made a point of observing the photographers I worked with—how they handled their gear, how they shaped light, how they gave direction, and more importantly, how they told a story. I asked questions constantly. I learned to shoot in manual, studied the technical aspects of composition, and soaked in every bit of wisdom shared on set. It was, quite literally, a paid education.
That blend of early passion and professional experience gave me a unique perspective behind the lens. I understood the rhythm of a shoot, the energy of a subject, and how to create a comfortable environment—because I’d been on the other side. Photography, for me, has always been about connection and curiosity. Whether I’m capturing a portrait, a fleeting moment, or a fine detail, I’m always chasing that same sense of wonder I felt as a kid with my first camera in hand.

